Showing posts with label Movie Reviews. Show all posts
Showing posts with label Movie Reviews. Show all posts

Thursday, October 29, 2015

Halloween Horrors: Greenlee Gazette's Guide to the Scream Franchise

More from the vaults, my take on the Scream movie series. Not the TV series, which I've yet to watch, but the original four films.

ORIGINAL POST:

News has come out recently that Wes Craven's and Kevin Williamson's Scream movie franchise is coming to the small screen as an MTV series. Questions about why MTV has become what it has aside, that's good news if they manage to keep it in the same vein. The series influenced nearly every horror movie that has come since, if not within the films themselves, at least in the movie posters and DVD/Blu-ray box art. That lineup of attractive stars in front of a splashy logo, some drippy, bloody and/or torn looking graphic? Scream did that first. It spawned I Know What You Did Last Summer, Urban Legend and countless other imitators, many (including Scream itself) with a string of sequels.

What set Scream apart from earlier slasher movies was a subversion of horror movie cliches, a winking "genre savvy"-ness by characters within the film, a writer that was raised on  pop culture (hell, he created Dawson's Creek), a mixture of humor and horror, and the biggest thing of all: known stars. In the old days, horror movies--especially the slasher type--might have a marginally known character actor (Hope Lange, John Saxon, Betsy Palmer), but were mostly stocked with a bunch of unknowns. Your Kevin Bacons and Johnny Depps became well known of course, but nobody knew them when they starred in the first Friday the 13th and A Nightmare on Elm Street, respectively. Scream started the trend of stocking a horror movie with a roster of up-and-coming young (typically very attractive) actors, often from hit teen TV shows. And all of this new stuff was put into the hands of the very capable Craven, creator of Nightmare and several other standout horror classics.

But Scream was a long time ago now. All of that novelty has been absorbed and trodden and retreaded to death by now. We've segued through (and passed?) torture porn like Hostel and the endless Saw series. Scream--often thought of as something of a horror parody itself--was parodied in the first of the also endless Scary Movie (which curiously was the working title of Scream) films. Indirectly, Scream is responsible for the horrible stream of parody "Movie" movies that came after. So the movie that started all of that, and its sequels, are now part of nostalgia, with a patina of prestige and respect. But, how do they hold up?

 [Here there may be minor spoilers]


Scream (1996) starts the ball rolling in a seemingly novel (but cribbed from Alfred Hitchcock's 1960 classic Psycho) way, by killing off the seeming star of the flick early on. Neve Campbell turns out to be the central figure (the last girl, in slasher-speak), and she is aided by bitchy newswoman Courtney Cox and goofy cop, David Arquette. This sets up a sort of triad of stars that runs through all of the films, including the new one.  As in many old 80s slasher pics, the new murders happen one year after another terrible event. Not surprisingly, the events are related in obvious and not so obvious ways. The movie misdirects you into thinking several people could potentially be the killer, and also plainly directs you to doubt yourself. Along the way, several characters comment on the events as though they know that they are in a horror movie. They mostly die anyway. Nothing about the movie hints that there is an inevitible sequel.

Scream 2 (1997) picks up a couple of years later, with Neve's character now in college. Her genre savvy pal (Jamie Kennedy) is there with her, being one of the few to survive the first movie. Neve's got a hotty boyfriend (Jerry O'Connell) and new friends, and she's a budding actress in the college play. And then, suddenly people start dying again, seemingly at the hand of the same ghost-faced killer from the original story. The problem is, the original killer(s) died. Of course, in a horror movie, dead doesn't always mean really dead. Is it the same guy(s)? Is it the new boyfriend? The surviving pal? Goofy cop Dewey? Bitchy reporter Gale? Cotton (Liev Schrieber), the guy who almost got executed when Neve's Sydney character misidentified him? Or someone else? The answer(s) feel a little out of left field, or at least they did on my first viewing. But today, in context with just having watched the first movie, it didn't feel like such a bad fit. Not as good as part one, but pretty good.


Scream 3 (2000) looks and feels different, and indeed it is largely written by a different person. The setting has also changed from small town America to Hollywood. The movie-within-a-movie idea began in part 2, with Stab, a slasher picture based on Courtney Cox's character's tell-all book. Here, Stab 3 is in production, and much of the action takes place at the movie studio, which has rebuilt the original small town on a set. Movie in-jokes abound, such as "Jennifer Jolie" playing a version of Cox's reporter, and being told "sorry it didn't work out with Brad Pitt."  There are new characters, an old character that comes back (sort of) even though he's dead. And the killer still looks the same, but is a different person, that manages to tie in to the rest of the story.  By itself, Scream 3 is an enjoyable movie. But it suffers in comparison to the first two.  Also, Neve Campbell is at best a supporting player in this one, with Arquette and Cox (the latter with an atrocious hairdo) doing the heavy lifting.

Overall, they did a commendable job of tying the three films together. It stretches credulity a little, that the killer in the third movie motivated the killers of the first. Much like Back to the Future Part III, where they managed to create back story that worked, and Saw (from part 2 forward) where it got too convoluted, Scream 3 uses story elements from the first movie, and substantially rewrites what really happened, without contradicting anything. One thing I have to wonder though, is if they ever considered casting Neve's brother, Christian Campbell for the role that Scott Foley played? It would have been a very good fit, but might have given away the ending too easily.

Scream 4 (2011) - I'll confess that "SCRE4M" doesn't stay with you as well as the first three, maybe because I haven't had repeated watchings over years. But here are my impressions: it manages to keep the same flavor of the first three while bringing it into the modern day. It develops some new characters should there be further sequels (unless the series makes that all moot). And it manages to surprise and delight, very much like the first one did. I think it accomplished what it set out to do, but was just a little bit underwhelming. It's certainly worth a view, and a must if you liked the first three.

Scream: highly recommended
Scream 2: highly recommended
Scream 3: if you liked the first two
Scream 4: a must if you liked what came before

Friday, October 31, 2014

Halloween Horrors: Greenlee Gazette's Guide to the Scream Franchise

Images from Wikipedia
News has come out recently that Wes Craven's and Kevin Williamson's Scream movie franchise is coming to the small screen as an MTV series. Questions about why MTV has become what it has aside, that's good news if they manage to keep it in the same vein. The series influenced nearly every horror movie that has come since, if not within the films themselves, at least in the movie posters and DVD/Blu-ray box art. That lineup of attractive stars in front of a splashy logo, some drippy, bloody and/or torn looking graphic? Scream did that first. It spawned I Know What You Did Last Summer, Urban Legend and countless other imitators, many (including Scream itself) with a string of sequels.

What set Scream apart from earlier slasher movies was a subversion of horror movie cliches, a winking "genre savvy"-ness by characters within the film, a writer that was raised on  pop culture (hell, he created Dawson's Creek), a mixture of humor and horror, and the biggest thing of all: known stars. In the old days, horror movies--especially the slasher type--might have a marginally known character actor (Hope Lange, John Saxon, Betsy Palmer), but were mostly stocked with a bunch of unknowns. Your Kevin Bacons and Johnny Depps became well known of course, but nobody knew them when they starred in the first Friday the 13th and A Nightmare on Elm Street, respectively. Scream started the trend of stocking a horror movie with a roster of up-and-coming young (typically very attractive) actors, often from hit teen TV shows. And all of this new stuff was put into the hands of the very capable Craven, creator of Nightmare and several other standout horror classics.

But Scream was a long time ago now. All of that novelty has been absorbed and trodden and retreaded to death by now. We've segued through (and passed?) torture porn like Hostel and the endless Saw series. Scream--often thought of as something of a horror parody itself--was parodied in the first of the also endless Scary Movie (which curiously was the working title of Scream) films. Indirectly, Scream is responsible for the horrible stream of "Movie" movies that came after. So the movie that started all of that, and its sequels, are now part of nostalgia, with a patina of prestige and respect. But, how do they hold up?

 [Here there may be spoilers]


Scream (1996) starts the ball rolling in a seemingly novel (but cribbed from Alfred Hitchcock's 1960 classic Psycho) way, by killing off the seeming star of the flick early on. Neve Campbell turns out to be the central figure (the last girl, in slasher-speak), and she is aided by bitchy newswoman Courtney Cox and goofy cop, David Arquette. This sets up a sort of triad of stars that runs through all of the films, including the new one.  As in many old 80s slasher pics, the new murders happen one year after another terrible event. Not surprisingly, the events are related in obvious and not so obvious ways. The movie misdirects you into thinking several people could potentially be the killer, and also plainly directs you to doubt yourself. Along the way, several characters comment on the events as though they know that they are in a horror movie. They mostly die anyway. Nothing about the movie hints that there is an inevitible sequel.

Scream 2 (1997) picks up a couple of years later, with Neve's character now in college. Her genre savvy pal (Jamie Kennedy) is there with her, being one of the few to survive the first movie. Neve's got a hotty boyfriend (Jerry O'Connell) and new friends, and she's a budding actress in the college play. And then, suddenly people start dying again, seemingly at the hand of the same ghost-faced killer from the original story. The problem is, the original killer(s) died. Of course, in a horror movie, dead doesn't always mean really dead. Is it the same guy(s)? Is it the new boyfriend? The surviving pal? Goofy cop Dewey? Bitchy reporter Gale? Cotton (Liev Schrieber), the guy who almost got executed when Neve's Sydney character misidentified him? Or someone else? The answer(s) feel a little out of left field, or at least they did on my first viewing. But today, in context with just having watched the first movie, it didn't
feel like such a bad fit. Not as good as part one, but pretty good.

Scream 3 (2000) looks and feels different, and indeed it is largely written by a different person. The setting has also changed from small town America to Hollywood. The movie-within-a-movie idea began in part 2, with Stab, a slasher picture based on Courtney Cox's character's tell-all book. Here, Stab 3 is in production, and much of the action takes place at the movie studio, which has rebuilt the original small town on a set. Movie in-jokes abound, such as "Jennifer Jolie" playing a version of Cox's reporter, and being told "sorry it didn't work out with Brad Pitt."  There are new characters, an old character that comes back (sort of) even though he's dead. And the killer still looks the same, but Scream 3 is an enjoyable movie. But it suffers in comparison to the first two.  Also, Neve Campbell is at best a supporting player in this one, with Arquette and Cox (the latter with an atrocious hairdo) doing the heavy lifting.
is a different person, that manages to tie in to the rest of the story.  By itself,

Overall, they did a commendable job of tying the three films together. It stretches credulity a little, that the killer in the third movie motivated the killers of the first. Much like Back to the Future Part III, where they managed to create back story that worked, and Saw (from part 2 forward) where it got too convoluted, Scream 3 uses story elements from the first movie, and substantially rewrites what really happened, without contradicting anything. One thing I have to wonder though, is if they ever considered casting Neve's brother, Christian Campbell for the role that Scott Foley played? It would have been a very good fit, but might have given away the ending too easily.

Scream 4 (2011) - I'll confess to writing this review using elements of earlier reviews, and at that time, SCRE4M wasn't out yet. I'll have to rewatch it at some point, because it's become a bit hazy. I can give you my impressions: it manages to keep the same flavor of the first three while bringing it into the modern day. It develops some new characters should there be further sequels (unless the series makes that moot). And it manages to surprise and delight, very much like the first one did. I think it accomplished what it set out to do, but was just a little bit underwhelming. It's certainly worth a view, and a must if you liked the first three.

Scream: highly recommended
Scream 2: highly recommended
Scream 3: if you liked the first two
Scream 4: a must if you liked what came before

Thursday, April 4, 2013

Film Critic Roger Ebert Dead at 70

Image from Funny or Die
Roger Ebert had a strange last decade of life. He went through cancer of the thyroid and salivary glands, lost his lower jaw--along with it the power of speech and ability to eat--and got cancer again. But along the way, the popular movie critic (and former TV partner of the late Gene Siskel) also gained a different sort of following on social media. If you followed him on Twitter as I did, you know that this was a very smart man, with more than just refined movie tastes. He also had a layered sense of humor, and an eye for the oddly interesting and the interestingly odd. Much like George Takei's internet success, Siskel's showed an entirely different side of himself that really showed him in a different light.

When I was a kid, Ebert was half of the team somebody referred to as "the fat one and the gay guy," on Sneak Previews and At the Movies, even though Siskel wasn't gay, and Ebert not fat, at least not by today's standards. And while they pioneered movie reviewing on TV, and their "two thumbs up" style became their schtick, it was nice to see the interesting side of Roger Ebert in these last few years. I'm just sorry it had to be at the same time as a disfiguring and ultimately fatal disease. RIP, Roger!

[Update: Excerpt II]

(This is so much funnier than the one below, though it too is worth your time)

Roger Ebert's 20 Most Epic Movie Pans


. . .18. The Village

"To call it an anticlimax would be an insult not only to climaxes but to prefixes. It's a crummy secret, about one step up the ladder of narrative originality from It Was All a Dream. It's so witless, in fact, that when we do discover the secret, we want to rewind the film so we don't know the secret anymore. And then keep on rewinding, and rewinding, until we're back at the beginning, and can get up from our seats and walk backward out of the theater and go down the up escalator and watch the money spring from the cash register into our pockets. . ."



Read more at: BuzzFeed


[Excerpt]

11 Funniest Lines from Roger Ebert's Reviews of Bad Movies

. . .Mad Dog Time, 1996

 "Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line. . ."

Read more at: Funny or Die

Saturday, December 31, 2011

Mini Movie Review: Final Destination 5

The Final Destination series is one of my favorite movie franchises, horror or not. The first one was one in a series of "teen stars in horror film" movies with a poster of four or five kids in a row with a logo. It was in there with Scream and Urban Legends and countless others. But FD had a special something. A sadistic glee, an inventiveness with which the victims were dispatched.

And then, the awesomeness was cemented with Final Destination 2. The plane crash disaster of part one was surpassed with an incredible freeway pileup! And the batch of nubile teens was offed! Right at the beginning! FD2 upped the ante by playing by part 1's rules, and making it better by linking all of part 2's characters with part 1's. Everything hooked together and made sense, and kablooey, a cool ending!

Then came part 3, which--unfortunately for me-involved amusement rides. I come from the industry, so I know that the roller coaster disaster in that installment couldn't happen that way. But undoubtedly, none of the disasters is 100% authentic, so, whatever. Part 3 didn't hook into the first two much, but is better to me than it first appeared. It is quite enjoyable for what it is.

Part four was entitled THE Final Destination, and by that moniker, you would think it was the last one. It was also in 3D, and heavily promoted as the final installment. It was fun--involving a NASCAR racetrack-type disaster. I'm a binocularly-challenged person, with the unfortunate inability to see 3D movies. But I liked FD4, just the same. It was better than 3, less than 2, about the same as 1. But who could know there would be a part 5?

I  should have known. I've been through, Friday the 13th V: A New Beginning. I've seen, Amityville II: The Beginning. I've seen Wes Craven's New Nightmare. I'm sure there'll even be Psycho: What You Really Didn't Know, is That It Started Like This! So, an unremarkably named Final Destination 5 wasn't surprising.
What was surprising, was that the fourth sequel would be as good as the rest of the series, or better. In fact, it's as good part two, perhaps as good as the original.

Horror movies tend to be derivative. And part five can't offer originality. But the special effects, the acting, the surprises? Part five has it in spades. The only flaw for me was the law of diminishing returns. The spectacular opening can't be matched in later set pieces. While I had a lot of fun, the thrills tend to get smaller by half with each dramatic demise. If they had only ended the picture with a dramatic finale on the scale (or 3/5 the scale) with the opening.

My rating: **** of ***** (with a nod to the genre, of course)

Sunday, October 30, 2011

Halloween Horrors: Guide to Halloween, the Michael Myers Saga

 Here's my take on the Halloween movie franchise. Keep in mind, the ratings are genre-specific, and don't necessarily apply to other movies in general.
Image from Wikipedia

Halloween (1978) - John Carpenter struck gold with the original in the series. He created the faceless killing machine (Michael Myers), the "you're dead if you have sex/drink/party/do drugs" horror cliche. And Carpenter's score for the film is amazingly creepy. Easily the best in the series, in fact the best of the genre. And Jamie Lee Curtis was fantastic, as was Donald Pleasence. ****

Halloween II (1981) - Picks up immediately after part one, and holds very close to the tone and the quality. More gore, more violence and more inventive kills are a consequence of the other slasher picks being made at the time, and cause many to dislike this entry. Curtis and Pleasence still are in top form, and Michael Myers seems to meet his end. In fact, unless you're fanwanking, you can't really explain his later resurrection. Also notable for the fantastic soundtrack, an improvement on the original. Great to have on the stereo to creep out the trick-or-treaters. ***

Image from Wikipedia
Halloween III: Season of the Witch (1982) - The creators decided to drop the storyline, and try a different sort of Halloween movie, which was pretty good, but disappointed most fans. It had nothing to do with the previous films, other than the producers, and similar eerie music. Had it been successful, there were supposed to be other unrelated, Halloween-themed movies in the series. The film had one of the coolest logos in the whole series, as seen in the image on the right. **

Halloween 4: The Return of Michael Myers (1988) - They went back to the original story (and dropped the roman numerals), which continued the storyline of Michael Myers, and ignored the ending of the second movie, where Michael Myers clearly died. The great thing about Halloween 4 was that the characters reacted like normal people--trying to get the heck out of dodge--and died anyway. Very close to the tone of the first two, and a great performance by Pleasence. ***

Halloween 5: The Revenge of Michael Myers (1989) - OK, but weaker than the previous films. Continues the storyline from part 4, but adds a psychic angle, shifting the tone of the series. **

Halloween: The Curse of Michael Myers (1995) Dropped the number, and tried to add new elements that weren't in the previous films (Michael was a Druid?). The series was running out of steam. *

Halloween: H20 (1989) - 20 years into the franchise, this entry tried to reinvigorate the storyline. Donald Pleasence had died, but Jamie Lee Curtis was back, and much of parts 4, 5 and 6 were ignored. They even brought in Janet Leigh (Jamie Lee Curtis' real mother, and star of Psycho). H20 was an improvement, but the concept was really running on fumes. **

Dreadful. From Wikipedia.
Halloween: Resurrection (2002) - The less said about part 8, the better. Updates the series for the internet era. Not an improvement. Don't bother. *

Halloween (2007) - This film was ultimately unnecessary, as the original was impossible to top. The attempt to reboot the series, and bring it into the 21st century isn't a total misfire, but is kind of pointless. As far as remakes go, it isn't bad.  Malcolm McDowell does an okay job as Loomis, but nobody can replace Jamie Lee Curtis.  **

Halloween II (2009) - Terrible. That is all. Zero Stars

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