Showing posts with label 90s Music. Show all posts
Showing posts with label 90s Music. Show all posts

Monday, December 26, 2016

2016 Claims Another Legend: George Michael Dead at 53

Breaking my silence of late to note the terrible news that George Michael, 80s/90s pop legend, has died at the too young age of 53. It's a rare year that claims the lives of multiple legends. Bowie. . .Prince. . . It may not be quite accurate to put Michael in their category, given the waning of his star since his heyday. He seemed to sputter out while transitioning from closeted to out gay man, and had apparently quite a few demons he couldn't slay. But there is no doubt that Michael's talent was in their league, and possibly surpassed it. There is no doubt that he can claim a sex appeal in his prime beyond either of them.

There was something obvious about Michael's talents even in his cheesy stateside debut with Wham!'s Wake Me Up Before You Go-Go. You could see it and hear it, there was more to this guy than a novelty hit. His voice and vocal range were astonishing. Clear as a bell, total control. And he could dance. I'm at best an awkward and rhythm-challenged white guy, but what I could manage, I learned by watching him. It didn't hurt that he had a mesmerizing physique, naturally.

And it was that beauty and sudden white-hot fame that seemed to trouble him. He seemed to unravel quickly, and never quite re-ravelled. I think we're all a little cheated for that, though it's surely not his fault. We're certainly cheated by his early passing. RIP, Mr. Panayiotou.

The first song I knew by George Michael:



The sexy George Michael:



The sexier George Michael:



My favorite George Michael song:



The Other Half's favorite George Michael song:



The song that helped me learn how to (sort of) dance:


Monday, November 24, 2014

Blast from the Past: Positively Perfect Pop Songs!

Pop music gets very little respect from music fans. For those of us who like it, it's just a fun confection, an enjoyable lark. From "real" music fans, pop music is disposable, meaningless, without artistic merit. The equivalent of Stephen King or Dean Koontz in the fiction genre. Well, you know what? I dig King and Koontz! And I dig pop music too!

There are numerous pop songs that just strike me as pop confection perfection. And this is my list of some of the best of the best.

1. Misery - Maroon 5 - This group, headlined by The Voice's Adam Levine, is one of the most successful acts at crafting pure pop perfection. Usually, they include a little profanity to add a little street cred. But their songs are just little balls of perfectly crafted song candy. Misery is one of the best, making an abusive relationship sound fun and bouncy! Yay! I'm in misery!

2. Express Yourself - Madonna - It would be impossible to narrow down Madonna's discography to find the best, most perfect pop song. That's why I didn't, and there is more than one. This one isn't just perfect, it has alternate versions that are equally perfect! And that shouldn't be possible!



3. Mony Mony - Billy Idol - This is an eighties version of a sixties song, that is largely meaningless. But it is absolute perfection in what it sets out to do: set dance floors on fire, and make people happy for no reason. Its recent inclusion in a Nissan Sentra ad is just proof.

4. Steal My Sunshine - Len
- Usually, when an act samples parts of another song to put into their own, the result is derivative, uninspired and something of a retread. In this case, one-hit-wonder Len achieves pop perfection, using Andrea True's More, More, More disco tune as a foundation.



5. Just Can't Get Enough - Depeche Mode - You can tell when even an "alternative" band has become mainstream when their old tunes not only get mixed in on "80s and More!" radio stations, but get put into GAP ads. This song might be from a band with a heavy artistic cred, but the song is a pop meringue.

6. Vogue - Madonna - Leave it to Madonna to take an underground gay dance craze, and turn it into mainstream success. And then, make it enough of a classic that if you played it on any dance floor 20+ years later, it would still draw a crowd.



7. Waterloo - ABBA - I am of the opinion that ABBA's catalog--almost all of it--could be released today, and be successful. Many, if not most of their hit songs are masterpieces of pop music. Songs like Ring, Ring and On and On and On should be re-released, just to see what happens. But Waterloo, to me, is a perfect pop song.

8. A Little More Love - Olivia Newton-John - This one might seem like a stretch, but hear me out. Pay attention to Olivia's change-ups in melody. Notice that she changes the note structure in each lead-in to the chorus, and each chorus itself. Much like Adam Levine does in Maroon 5, Olivia plays with the notes, going all over the place, but always in tune, and sounding perfect.




Okay, kids, that's my bit for this week. Hope you had a great Easter and/or Walking Dead finale weekend! Have a great week, and happy Monday!

Sunday, October 19, 2014

Blast from the Past: Songs that Should have Been Hits


Yes, this is a rerun, but I've added two new "shoulda beens" to the end!

For this week's Blast from the Past, I'm going to see how many songs I can find that are examples of great songs that either barely hit the Billboard charts, or didn't even break through at all. And I'm sure I'll only crack the surface here. These are the kinds of songs that you either know because they were on an album you played a lot, sometimes on a Greatest Hits collection with some "extras" that really weren't. Or it's an attempt at a comeback from an established star that just didn't do the trick. Whatever it is, these songs all have the makings of a hit, but just. . .weren't for some reason. See how many you know.



1. Ring Ring by ABBA (1973) - This early tune by the Swedish quartet managed to make several world-wide charts, some to number one. But it didn't chart in the states at all. It should have.

2. On and On and On by ABBA (1980) - A later track by the same group had all the makings of a hit (and the by now standard repeating title of many of their others), but only hit #90 in the US. It was still very catchy, and should have been a hit.



3. I'm Gonna Be Strong by Cyndi Lauper (1994) - According to Lauper, this is the song that got her a recording contract. Small wonder. I've always wondered what could have happened if Lauper had been a contestant on American Idol, and belted this out. It's amazing.

4. You Don't Know by Cyndi Lauper (1997) - As you can now tell, I have some favorite artists who have several songs I think should have been hits. This one was probably hampered by an album track that was slow and languid. This dance version is one of my favorites, a song about the stupidity of bigotry.



5. Quantum Mechanic by Thomas Dolby and Dr. Fiorella Terenzi (1994) - This great tune from the Gate to the Mind's Eye soundtrack always made me happy. And should have been released.

6. UMF by Duran Duran (1993) - One of several tracks from "The Wedding Album," something of a comeback album that did have a couple of hits. UMF stands for "ultimate mind f**k," thought the profanity is never uttered.



7. Only You by Pat Benatar (1997) - Again, a great album, chock full of great tunes, but it still couldn't revive Benatar's hit-making career.

8. Try by Billy Pilgrim (1994) - I saw this band when they opened for Melissa Etheridge on tour. I bought their album, and totally dug it. This is one of their best songs, and it turned up on a compilation or two, but didn't really go anywhere. Great harmonies.



9. Rock D.J. by Robbie Williams (2000) - This incredibly catchy dance tune was a hit around the world, but didn't manage more than #24 on the dance chart in the US. Maybe it had something to do with the gory, out-of-left-field video.

10. Little Bird by Annie Lennox (1993) - This is (along with a couple of other tracks that didn't chart) one of my favorite Lennox tunes. Amazing that I didn't do better.



11. One by One by Cher (1996) - Like the Cyndi Lauper tune, You Don't Know above, this one had a down-tempo album version, and this spirited dance version. The dance version charted at #6, the album version at #52. I'm fairly certain it was this song's performance that made Cher go straight for dance releases like Believe after this.

12. That's What I Think by Cyndi Lauper (1993) - Another Lauper tune, I can't help myself. I think she's been criminally overlooked. This one she even plays the recorder. I remember her blowing David Letterman away when she performed it on his show.

And that will wrap it up for now. I realized as I was writing that there are many, many songs I listen to that were never hits but seemingly could have been. Give these a listen, and look forward to another edition. This one is worth a sequel. (or a rerun, heh)

Happy Monday!

BONUS: Here's the Letterman clip.




Monday, September 15, 2014

Blast from the Past: Tolerable Rap for Old White Guys!




Rap music. For the most part, I really don't like it. I don't consider it to be a worthy talent, and I don't enjoy it. I thought, thirty years ago, that it would burn itself out, but no. Not at all. It just keeps on chugging. And more power to 'em! I just don't like it.

Except when I do. Over the years (and you'll notice, it's mostly in years long gone by), there have been rap songs here and there that I like. Even love in some cases, enough that I'll back it up, crank it up and start it again. These songs have a rather common theme: they're usually rap/pop hybrids, with a genuine chorus, and some musicality. You'll see a trend for sure, and if you're a rap fan, you'll probably think this list is lame. That's cool too. But here we go. . .

1. C'mon N' Ride It (The Train) by Quad City DJs (1995) - This song was popular when I used to go out dancing. I liked it the first time I heard it. I think I can, I think I can!
2. Bust a Move by Young MC (1989) - This is one I can listen to over and over.



3. Get Up! (Before the Night is Over) by Technotronic (1990) - Actually, I like several of Technotronic's songs, but this one is my favorite.
4. Rapper's Delight by The Sugarhill Gang (1979) - This may be the song that birthed the whole genre. I somehow didn't know that it samples Good Times by Chic until years later.



5. Nightmare on My Street by DJ Jazzy Jeff and the Fresh Prince (1988) - As a horror fan, of course I liked this one!
6. Let's Talk About Sex by Salt-N-Pepa (1991) - Again, I like several of this group's tunes, but this is a personal favorite (perhaps because I actually did more than talk when it was playing one time? :)



7. It Takes Two by Rob Base & DJ E-Z Rock (1988) - This one is fun, and was sort of remade as the pop song, Two to Make it Right by Seduction.
8. Walk This Way by Run D.M.C. & Aerosmith (1986) - Before this track, Aerosmith was kind of dead in the water. Great redo.



9. Gangsta's Paradise by Coolio (1995) - I guarantee I don't know any other Coolio, but I like this one.
10. Just a Friend by Biz Markie (1989) - Only because it's so bad, it's hilarious!


And that's it, my unlikely list of my favorite rap songs. I'll never be taken for an expert, not even a little. But I've played all of these songs within the last few months!

Have a great week everybody. Happy Monday!

Sunday, June 29, 2014

Blast from the Past: Gay Anthems, Part III





This marks the end of Gay Pride Month, so I thought I'd play us out with some more gay anthems!



There are plenty to go, as you shall see. I had to do a superpack this time, 12 tunes in all.

1. I'm Too Sexy by Right Said Fred (1991) - Instantly an embarrassing novelty hit nobody will claim, this one was briefly insanely popular.
2. Macho Man by The Village People (1977) - Single-handedly responsible for injecting the word "macho" into American vernacular, and also for introducing America to The Village People.



3. I'm Coming Out by Diana Ross (1980) - Obviously.
4. Why by Bronski Beat (1984) - Another one that got by me at the time, but certainly no one else did.



5. Let's Have a Kiki by Scissor Sisters (2012) - Much newer than the rest, but essential.
6. Take Your Mama Out by Scissor Sisters (2004) - Because I love them. And this one is actually about a gay guy coming out, so there you go.



7. Dancing Queen by ABBA (1976) - Can you believe I didn't slot in ABBA in Part I or II? I mean really.
8. Last Dance by Donna Summer (1979) - All of Donna Summer's hits qualify, truly.



9. Supermodel by RuPaul Charles (1992) - Another novelty tune, but again, huge briefly. And it launched the Drag Race star into the mainstream.
10. A Little Respect by Erasure (1988) - Again, all of Erasure's catalogue could qualify for this list, but this gets a spot for the lyric, "What religion or reason could drive a man to forsake his lover?"



11. Chains of Love by Erasure (1988) - Okay, one more. This one is clearly about trying to express love for someone when society is against you. Fancy that.
12. Boom Boom (Let's Go Back to My Room) by Paul Lekakis (1987) - Unambiguously about doing it with Paul Lekakis in his room. Okay then!



And now that you're tuckered out from dancing, take your disco shoes off, and shuffle off to bed. It's a new week, and you have to work. Happy Monday!

Sunday, June 8, 2014

Blast from the Past: Gay Anthems, Part II


Since we're still early in June, which is Gay Pride month, and it's The Other Half's birthday, I thought I'd continue with the theme of "gay anthems," those you don't have to be gay. . .but it couldn't hurt! -type songs. Of course, there are so many to choose from, I didn't have room for all of them last week anyway. Let's get started.

1. Smalltown Boy by Bronski Beat (1984) - I'll confess to missing this one, having been firmly stuck on top-40 music at the time, and only 18. Still, my younger (straight) brother insisted that it get a spot this week! Apparently, it was really, really gay.
2. Express Yourself by Madonna (1989) - One of Madge's best, and certainly her most stylish video.



3. You Spin Me 'Round (Like a Record) by Dead or Alive (1985) - Pete Burns was like the sinister Boy George, and this song was everywhere in 1985.
4. Brand New Lover by Dead or Alive (1986) - Just as fun as the previous tune.



5. No More Tears (Enough is Enough) by Barbra Streisand and Donna Summer (1979) - I mean, like you could get these divas together, and it not be a gay anthem? Unfortunately, there is no video. But that note Babs holds? Fabulous.
6. Believe by Cher (1998) - About time Cher made an appearance, right? And at the time, people were marveling at her longevity. . .16 years ago.



7. Lady Marmalade by LaBelle (1974) - Sure, the Christina Aguilera/P!nk/Li'l Kim/Mya cover version might qualify, but this is the classic original, and even burst on the scene before disco really went mainstream.
8. True Colors by Cyndi Lauper (1985) - When I think of a gay anthem, I think "upbeat," but there can be no denying this one has it's place in our big gay hearts.



9. Beautiful by Christina Aguilera (2002) - Much like the previous entry, this ballad is on the list, even if it's a bit sad. It's the defiance that sells it.
10. We are Family by Sister Sledge (1979) - But we've got to get it back to a dance party, right? And why this one didn't occur to me last time, I have no idea. So, let's dance this weekend out!


And I still left out any Donna Summer solo songs, and countless others. Maybe we'll revisit this party to close out the month. Happy Monday, everybody.

Monday, June 2, 2014

Blast from the Past: Gay Anthems, Part I

It's June everybody, and though many Pride celebrations have scattered across the calendar, June is still Gay Pride Month. And so, I thought I'd do a bit of a combo here, of my different regular features. For the first time ever, this is Blast From the Past/The Gay Thing! And I present to you gay anthems, from the far and the not so distant past. Enjoy, and join the parade, won't you?

1. I Will Survive by Gloria Gaynor (1978) - I can't say why this was a gay anthem. The lyrics could fit anyone in a bad relationship. But boy howdy, was it.
2. I Am What I Am by Gloria Gaynor (1983) - Gay is right in her name, so she gets two in a row (despite a bit of an anti-gay kerfuffle in recent years). And this one is super gay.



3. Y.M.C.A. by The Village People (1978) - I could go nuts with Village People songs in this category, but we'll leave it at this one. So popular, straight people dance to it at sporting events.
4. Go West by Pet Shop Boys (1992) - Actually a Village People song, remade. Really, really gay.


5. Outside by George Michael (1998) - Made as a snarky retort to his arrest for public lewdness, this song (and video) scream "gay," where Michael had previously been coy.
6. You Make Me Feel (Mighty Real) by Sylvester (1978) - You'd think it would be impossible to get any gayer than this one.


7. Relax by Frankie Goes to Hollywood (1984) - You'd be wrong, because this is the gayest song ever!
8. It's Raining Men by The Weather Girls (1982) - Wait. Hold on. This is gayer, even though it's ostensibly about straight women fantasizing about men. And written by Paul Shaffer?


9. Vogue by Madonna (1990) - With a dance taken straight from gay subculture, Madonna made an indelible mark, in fact, it's probably her most famous song.
10. Born This Way by Lady Gaga (2011) - From the much more recent past, we have the ultimate gay anthem, even if it was (sorta kinda) borrowed from Madonna's Express Yourself (itself worthy of a place in a sequel to this column). The song starts at about 2:30 after a long, weird preamble.


And now that you're all danced out, it's time for a brand new week. Happy Monday!

Monday, May 19, 2014

Blast from the Past: The Song is Also a Dance

You know 'em, you love 'em. Songs that have their own dance. Not all were what you'd call dance crazes, but most were. Some are flat-out embarrassing. One was included in last week's "Novelty Hits" installment, but simply couldn't be left off here. Most can be done by most anyone, some are a little trickier. Get your dancin' shoes on, and join me!

1. Walk the Dinosaur by Was (Not Was) (1989) - This one breaks down the steps for you, in case you want to dance along. It went to #7 on the pop chart.
2. Stand by R.E.M. (1988) - Strictly speaking, not a dance. But the dance in the video was emulated on dance floors anyway. One of R.E.M.'s peppier numbers, it hit #6.
 


3. Vogue by Madonna (1990) - This song did not inspire the dance, but it sure dragged it into the mainstream. It went to #1, naturally.
4. The Hustle by Van McCoy (1975) - The quintessential 1970s song and dance. It's kind of light weight, but boy is it dripping with nostalgia.  Also #1.



5. The Electric Boogie by Marcia Griffiths (1989) - Cheese, to be sure, but nowhere near as cheesy as the next one. The dance was called "The Electric Slide," not "Boogie," and the song itself went to only #51.
6. Macarena by Los Del Rio (1992) - This is the one I mentioned that was featured last week. #1 for an absurd 14 weeks, this one is embarrassment for anyone who might sing a verse and be overheard. But since I featured this last time, this time, I'm using the video that teaches the dance.



7. Velcro Fly by ZZ Top (1986) - Not a huge hit, though it got a lot of airplay on MTV. And the dance was choreographed by Paula Abdul, before she was nationally famous. Only hit #35.
8. Single Ladies (Put a Ring on It) by Beyoncé (2008) - I almost didn't feature this one, since I thought it was too recent. But guess what? It's six years old. Solidly in the past, and one of the most copied dances in that past six years too. Also a #1 tune.
 


And now that you're danced out, it's time to start a new week. Happy Monday!

Sunday, February 23, 2014

Blast from the Past: Songs That Should Have Been Hits

For this week's Blast from the Past, I'm going to see how many songs I can find that are examples of great songs that either barely hit the Billboard charts, or didn't even break through at all. And I'm sure I'll only crack the surface here. These are the kinds of songs that you either know because they were on an album you played a lot, sometimes on a Greatest Hits collection with some "extras" that really weren't. Or it's an attempt at a comeback from an established star that just didn't do the trick. Whatever it is, these songs all have the makings of a hit, but just. . .weren't for some reason. See how many you know.



1. Ring Ring by ABBA (1973) - This early tune by the Swedish quartet managed to make several world-wide charts, some to number 1. But it didn't chart in the states at all. It should have.

2. On and On and On by ABBA (1980) - A later track by the same group had all the makings of a hit (and the by now standard repeating title of many of their others), but only hit #90 in the US.



3. I'm Gonna Be Strong by Cyndi Lauper (1994) - According to Lauper, this is the song that got her a recording contract. Small wonder. I've always wondered what could have happened if Lauper had been a contestant on American Idol, and belted this out. It's amazing.

4. You Don't Know by Cyndi Lauper (1997) - As you can now tell, I have some favorite artists who have several songs I think should have been hits. This one was probably hampered by an album track that was slow and languid. This dance version is one of my favorites, a song about the stupidity of bigotry.



5. Quantum Mechanic by Thomas Dolby and Dr. Fiorella Terenzi (1994) - This great tune from the Gate to the Mind's Eye soundtrack always made me happy. And should have been released.

6. UMF by Duran Duran (1993) - One of several tracks from "The Wedding Album," something of a comeback album that did have a couple of hits. UMF stands for "ultimate mind f**k," thought the profanity is never uttered.



7. Only You by Pat Benatar (1997) - Again, a great album, chock full of great tunes, but it still couldn't revive Benatar's hit-making career.

8. Try by Billy Pilgrim (1994) - I saw this band when they opened for Melissa Etheridge on tour. I bought their album, and totally dug it. This is one of their best songs, and it turned up on a compilation or two, but didn't really go anywhere. Great harmonies.



9. Rock D.J. by Robbie Williams (2000) - This incredibly catchy dance tune was a hit around the world, but didn't manage more than #24 on the dance chart in the US. Maybe it had something to do with the gory, out-of-left-field video.

10. Little Bird by Annie Lennox (1993) - This is (along with a couple of other tracks that didn't chart) one of my favorite Lennox tunes. Amazing that I didn't do better.

And that will wrap it up for now. I realized as I was writing that there are many, many songs I listen to that were never hits but seemingly could have been. Give these a listen, and look forward to another edition. This one is worth a sequel.

Happy Monday!

Sunday, January 19, 2014

Blast from the Past: Nonsense Lyrics

Originally published 08/14/11 (So, clearly, my iPod prediction has not come to pass) ---

This edition of Blast from the Past was inspired by my daily 4-mile walks, listening to Pandora on my mobile phone (I predict the death of the iPod in short order). While walking alone, it's very easy to get lost in the lyrics of a song, and you find out. . .hey, some lyrics don't make much sense.

I'm not talking about intentional nonsense (Obladi, Oblada), or songs with made up words (Sussudio). I'm talking about songs that sound like they're telling a straight-ahead story with their lyrics, but are nonsense when read aloud. The song I happened to hear that tripped off the subject in my head was by Roxette, the Swedish group of the 1990s. And perhaps we can chalk up the word salad to a bad translation. Here is a portion of Joyride, a hit from their second album: "She has a train going downtown, She's got a club on the moon.
And she's telling all her secrets in a wonderful balloon. Oh she's the heart of the funfair. She's got me whistling her private tune. And it all begins where it ends, and she's all mine, my magic friend."
WTF, Per and Marie? Is that supposed to mean something? And some of their other songs were just as awkward.


Now, from the same time period (ish) we come to Savage Garden's I Want You, a fun little peppy number. And I suppose the lyrics are intended to be gibberish. If so, they succeeded: "Anytime I need to see your face I just close my eyes And I am taken to a place where your crystal mind and Magenta feelings take up shelter in the base of my spine Sweet like a chica cherry cola."

But these are minor offenders. Two groups embody the nonsense lyric like no other to my pop-culture knowledge. Sugar Ray ranks second only because they had a more abbreviated career than the all-time champs, who we'll come to in a second. Sugar Ray's first hit was the made-for-radio Fly, a hit that was omni-present in 1997. It's a pleasing pop music confection, and it is utterly indecipherable: "All around the world statues crumble for me, who knows how long I've loved you, everywhere I go people stop and they see, twenty-five years old my mother God rest her soul."



And Sugar Ray never got much clearer than that. From Someday"Some say better things will come our way, no matter what they try to say, you were always there for me. Some way, when the sun begins to shine, I hear a song from another time and they fade away." Um, yeah.

But the all-time champ-een nonsense lyrics singers are 80s faves Duran Duran. As far as I can tell, they've never sung a hit song that made a lick of sense. Here, their first big hit in the USA was Hungry Like the Wolf. Can you decipher this? "In touch with the ground, I'm on the hunt I'm after you. Smell like I sound, I'm lost in the crowd. And I'm hungry like the wolf. Straddle the line, in discord and rhyme. . ." The whole song reads that way.



But they were just getting started. How about these New Moon on Monday lyrics: "Shake up the picture the lizard mixture, with your dance on the eventide. You got me coming up with answers, all of which I deny. I said it again, could I please rephrase it. Maybe I can catch a ride. . ."

Sure, okay.  Or how about The Reflex: "You've gone too far this time. But I'm dancing on the valentine. I tell you somebody's fooling around with my chances on the dangerline. . .The reflex is an only child he's waiting in the park. The reflex is in charge of finding treasure in the dark."


And we can keep going with this. In Union of the Snake, Simon Le Bon makes no more sense than in any of the above: "Telegram force and ready. I knew this was a big mistake. There's a fine line drawing my senses together, and I think it's about to break. If I listen, I can hear them singers, voices in your body coming through on the radio." But I think you get the idea.

So with that, I'll wrap, and call it a weekend. Happy Monday, everybody!

Sunday, December 22, 2013

Blast from the Past: Contemporary Christmas Songs!

Though the title of this post is "Contemporary Christmas Songs," you'll also note that this is Blast from the Past. As such, we will consider anything from the late-70s to the mid-1990s as "contemporary." Maybe this needs a new name to separate it from "classics," which I'd consider Nat King Cole, Bing Crosby, etc. I also don't count The Carpenters and similar acts from the sixties and seventies. As old as I am, those don't feel contemporary. A practical dividing line for me is A Very Special Christmas, a series of albums starting in the 1980s that benefitted the Special Olympics, and brought together popular artists of the day for their renditions of classic songs. And though there's no cutoff since that time, I am not very enamored with really contemporary takes on Christmas songs, at least not in the last several years. So, these songs basically fall in the 80s and 90s, with maybe a few outside that window. And yes, I know that I included two versions of Hard Candy Christmas. Enjoy!

 


And that's a wrap! Happy Monday, and Merry Christmas!

Thursday, October 31, 2013

Michael Jackson's Ghosts

This long-form video is more or less a sequel to Thriller. In it, Michael Jackson plays an eccentric man (if you can imagine) in a big creepy house. The kids all like him, but the parents think he's a freak (again, imagine that). The parents get their comeuppance though, particularly the cranky old white guy who seems to be leading the group. Keep your eye on him, there's more going on there than there seems!
 

Sunday, July 28, 2013

Blast from the Past: Sex in Song!

The other day, I let my phone run out of juice, utterly, by mistake. For whatever reason, it was taking forever to recharge, so when I went walking, I took an old MP3 player for company. I'd forgotten I'd loaded my old Philips GoGear with new tunes last time I used it. And I'm still astonished as old as this thing is (512 MB!), that it's still a great little player.

Anyway, I must've been in a frisky mood when I put this playlist together. After a couple of ordinary songs (Aquarius by 5th Dimension, a little Annie Lennox), suddenly it segued into just sexy, sexy songs. I thought it would make for a good subject for Blast from the Past, and here we are. All because I forgot to charge my phone.

1. Love to Love You Baby by Donna Summer (1975) - A song so filthy, Summer wouldn't sing it during her "born again" phase.

2. I Want Your Sex by George Michael (1987) - This is from back when George was pretending he was straight. And at the time, it was just about as dirty as you could get on the radio.



3. Sex (I'm A. . .) by Berlin (1982) - This one always cracked me up, because Terri Nunn was so inventive, and the guy is just "I'm a man!"

4. Wicked Game by Chris Isaak (1989) - This song's lyrics aren't explicit, but it just drips with sex, and the video? Scorching.



5. Honey, Honey by ABBA (1974) - What, ABBA could get sexy. Yes, with a deceptive candy coating. This one is anything but innocent, which was proven in the musical, where this song was used while reading Mom's tawdry diary!

6. I Touch Myself by Divinyls (1990) - The (sadly) late Christina Amphlett is loving herself in this one, but she's doing so while telling her lover what she'd rather be doing!



7. Touch Me (I Want Your Body) by Samantha Fox (1986) - Fox was always an embodiment of the nasty/nice girl, looking so pretty, but also kinda slutty. I'm sure when guys who lusted after her in the 80s found out she was gay, really wish they had that juicy detail back then!

8. Boom Boom (Let's Go Back to My Room) by Paul Lekakis (1987) - My, the gays are well represented on this list, aren't they? You've got your gay favorites, and your actually gay artists! And here's one who was the male flip-side (uh, so to speak) to Samantha Fox.



9. Relax by Frankie Goes to Hollywood (1983) - See? This one is as gay as you can get, and also as dirty/sexy as you can get (practically, I mean check out #10). There's a crescendo in the song that's just nothing but a musical orgasm. And the lyrics are hardly subtle.

10. Closer (to God) by Nine Inch Nails (1994) - By far the most profane song on this list, it is also the outright sexiest. Picture it: mid-90s in a Las Vegas nightclub. Two lipstick lesbians writhing to this song, from its slower parts to its wind-up to its frenzied climax, and then the gentle finish. Let me tell you, everyone was spent when they were done, and this was a men's gay bar! Awesome, filthy, sexy song.



And now that you're all hot and bothered, you have to go to work! Happy Monday, have a great week everybody.

Monday, May 20, 2013

Blast from the Past: HAPPY BIRTHDAY Cher!

The following is a special edition (rerun) of a previous Blast from the Past, in addition to the usual weekly feature. Why? Because it's Cher's 67th birthday! I had to edit a little, because YouTube videos tend to cycle out. But I managed to put a number of favorites in to take the place of the expired tracks. Enjoy, and happy birthday Cherilyn Sarkisian Bono Allman JustCher!

 ORIGINAL POST:

So, it's come to this. After having run posts on Madonna, Cyndi Lauper, Pat Benatar, Paula Abdul, and other divas of the 80s, 90s and beyond, I realized that I'd left out Cher. Cher's career began before I was born, and who knows, she'll probably outlast me. She was performing in Las Vegas long before I moved here in the 90s, and has made return engagements, both on tour and as a semi-permanent act. Her shows are so popular, she can't ever retire, despite having tried. In her mid-60s now, she's still making music, with an upcoming collaboration with Lady Gaga (who can only hope to have such a long-lived career).

For all the talk of the reinventions and comebacks of other stars, no one touches Cher. She was a hit with Sonny Bono in the 60s, as one half of Caesar and Cleo, which became Sonny & Cher. When their music started to stall, they won their own variety show on CBS. During the program, she launched a successful solo act. When the Bonos divorced, Cher had her own show, and then again partnered with Sonny on TV. 

In the late 70s, Cher's music faltered, so she dabbled with disco, and Las Vegas. When that didn't go so well, she started seriously acting, and. . .was very, very good at it. Go ahead and watch her in Silkwood, The Witches of Eastwick, Suspect, Moonstruck, Mask: She's terrific in all of them. While establishing herself in Hollywood, she relaunched her singing career in the mid-80s, and struck gold again. A string of albums, each with a hit or two followed. Her risque videos flustered MTV, and Cher just kept going. She made a couple of odd detours, including a run as an infomercial queen, but she managed to make most of us forget that by making new music and movies.

Recently, Cher showcased her voice and acting skills in Burlesque with Christina Aguilera. While the movie didn't do particularly well at the box office, it isn't because of Cher. In fact, if you are inclined to watch this sort of picture (think Chicago or Moulin Rouge) you'll probably get a kick out of it. So, long story short (I know, too late) Cher deserves far more recognition than she gets. She shouldn't be a guilty pleasure at all, just a pleasure. And it shouldn't go unmentioned that Cher has had a number one song in each of the last six decades. Top that, Gaga.




Sunday, April 28, 2013

Blast from the Past: Nonsense Lyrics (Revisited)

Every so often, I like to revisit some of my Blast from the Past subjects, and update them a little, rather than coming up with a whole new subject. Because, if you haven't seen it, it's new to you! So, with that said. . .

This edition of Blast from the Past was inspired by my daily 4-mile walks, listening to Pandora on my mobile phone (I predict the death of the iPod in short order). While walking alone, it's very easy to get lost in the lyrics of a song, and you find out. . .hey, some lyrics don't make much sense.

I'm not talking about intentional nonsense (Ob-la-di, Ob-la-da), or songs with made up words (Sussudio). I'm talking about songs that sound like they're telling a straight-ahead story with their lyrics, but are nonsense when read aloud. The song I happened to hear that tripped off the subject in my head was by Roxette, the Swedish, big in the 1990s group. And perhaps we can chalk up the word salad to a bad translation. Here is a portion of Joyride, a hit from their second album: "She has a train going downtown, She's got a club on the moon. And she's telling all her secrets in a wonderful balloon. Oh she's the heart of the funfair. She's got me whistling her private tune. And it all begins where it ends, and she's all mine, my magic friend."

WTF, Per and Marie? Is that supposed to mean something? And some of their other songs were just as awkwardly worded.



Now, from the same time period (ish) we come to Savage Garden's I Want You, a fun little peppy number. And I suppose the lyrics are intended to be gibberish. If so, they succeeded: "Anytime I need to see your face I just close my eyes And I am taken to a place where your crystal mind and Magenta feelings take up shelter in the base of my spine Sweet like a chica cherry cola."

But these are minor offenders. Two groups embody the nonsense lyric like no other to my pop-culture knowledge. Sugar Ray ranks second only because they had a more abbreviated career than the all-time champs, who we'll come to in a second. Sugar Ray's first hit was the made-for-radio Fly, a hit that was omni-present in 1997. It's a pleasing pop music confection, and it is utterly indecipherable: "All around the world statues crumble for me, who knows how long I've loved you, everywhere I go people stop and they see, twenty-five years old my mother God rest her soul."



And Sugar Ray never got much clearer than that. From Someday"Some say better things will come our way, no matter what they try to say, you were always there for me. Some way, when the sun begins to shine, I hear a song from another time and they fade away." Um, yeah.

But the all-time champ-een nonsense lyrics singers are 80s faves Duran Duran. As far as I can tell, they've never sung a hit song that made a lick of sense. Here, their first big hit in the USA was Hungry Like the Wolf. Can you decipher this? "In touch with the ground, I'm on the hunt I'm after you. Smell like I sound, I'm lost in the crowd. And I'm hungry like the wolf. Straddle the line, in discord and rhyme. . ." The whole song reads that way.

`

But they were just getting started. How about these New Moon on Monday lyrics: "Shake up the picture the lizard mixture, with your dance on the eventide. You got me coming up with answers, all of which I deny. I said it again, could I please rephrase it. Maybe I can catch a ride. . ."

Sure, okay.  Or how about The Reflex: "You've gone too far this time. But I'm dancing on the valentine. I tell you somebody's fooling around with my chances on the dangerline. . .The reflex is an only child he's waiting in the park. The reflex is in charge of finding treasure in the dark."



And we can keep going with this. In Union of the Snake, Simon Le Bon makes no more sense than in any of the above: "Telegram force and ready. I knew this was a big mistake. There's a fine line drawing my senses together, and I think it's about to break. If I listen, I can hear them singers, voices in your body coming through on the radio." But I think you get the idea.

UPDATE: As I said, I want to revisit this, because I left out one of the most egregious offenders in this category, a lady named Sheryl Crow. Now, I love me some Sheryl Crow music, and happened to be driving over Santa Monica Boulevard the first time I heard All I Wanna Do. But did you ever try to figure out what she's singing about? In that song, she actually tells a story, if a fragmented one. But in A Change (Would Do You Good), she sings "Ten years living in a paper bag, Feedback baby, he’s a flipped out cat, He’s a platinum canary, drinkin’ Falstaff beer, Mercedes Ruehl, and a rented lear." And it never makes more sense than that.



So then, try If it Makes You Happy on for size: "Put on a poncho, played for mosquitoes, And drank til I was thirsty again, We went searching through thrift store jungles, Found Geronimo's rifle, Marilyn's shampoo, And Benny Goodman's corset and pen."

So with that, we have a new winner! So, I'll wrap, and call it a weekend. Happy Monday, everybody!

Monday, April 22, 2013

Divinyls Lead Singer Dead at 53



Awww. Though I was never really a Divinyls fan exactly, I always loved their song I Touch Myself, and really liked the lead singer's performance on that song and in the video. Christina "Chrissy" Amphlett died much too young of breast cancer. RIP.

[Excerpt]


Divinyls Singer Christina Amphlett Dies at Age 53

Christina "Chrissy" Amphlett--frontwoman for the Australian rock band the Divinyls, whose "I Touch Myself" went to number four on the Billboard Hot 100 singles chart in 1991--died Sunday at her home in New York. Amphlett was 53 years old. . .

Read more at: Yahoo!


Monday, April 1, 2013

Blast from the Past: Perfect Pop Songs

Pop music gets very little respect from music fans. For those of us who like it, it's just a fun confection, an enjoyable lark. From "real" music fans, pop music is disposable, meaningless, without artistic merit. The equivalent of Stephen King or Dean Koontz in the fiction genre. Well, you know what? I dig King and Koontz! And I dig pop music too!

There are numerous pop songs that just strike me as pop confection perfection. And this is my list of some of the best of the best.

1. Misery - Maroon 5 - This group, headlined by The Voice's Adam Levine, is one of the most successful acts at crafting pure pop perfection. Usually, they include a little profanity to add a little street cred. But their songs are just little balls of perfectly crafted song candy. Misery is one of the best, making an abusive relationship sound fun and bouncy! Yay! I'm in misery!

2. Express Yourself - Madonna - It would be impossible to narrow down Madonna's discography to find the best, most perfect pop song. That's why I didn't, and there is more than one. This one isn't just perfect, it has alternate versions that are equally perfect! And that shouldn't be possible!



3. Mony Mony - Billy Idol - This is an eighties version of a sixties song, that is largely meaningless. But it is absolute perfection in what it sets out to do: set dance floors on fire, and make people happy for no reason.

4. Steal My Sunshine - Len
- Usually, when an act samples parts of another song to put into their own, the result is derivative, uninspired and something of a retread. In this case, one-hit-wonder Len achieves pop perfection, using Andrea True's More, More, More disco tune as a foundation.



5. Just Can't Get Enough - Depeche Mode - You can tell when even an "alternative" band has become mainstream when their old tunes not only get mixed in on "80s and More!" radio stations, but get put into GAP ads. This song might be from a band with a heavy artistic cred, but the song is a pop confection.

6. Vogue - Madonna - Leave it to Madonna to take an underground gay dance craze, and turn it into mainstream success. And then, make it enough of a classic that if you played it on any dance floor 20+ years later, it would still draw a crowd.



7. Waterloo - ABBA - I am of the opinion that ABBA's catalog--almost all of it--could be released today, and be successful. Many, if not most of their hit songs are masterpieces of pop music. Songs like Ring, Ring and On and On and On should be re-released, just to see what happens. But Waterloo, to me, is a perfect pop song.

8. A Little More Love - Olivia Newton-John - This one might seem like a stretch, but hear me out. Pay attention to Olivia's change-ups in melody. Notice that she changes the note structure in each lead-in to the chorus, and each chorus itself. Much like Adam Levine does in Maroon 5, Olivia plays with the notes, going all over the place, but always in tune, and sounding perfect.




Okay, kids, that's my bit for this week. Hope you had a great Easter and/or Walking Dead finale weekend! Have a great week, and happy Monday!

Saturday, March 30, 2013

My Funeral (A Fantasy)

I have this bizarre fantasy that only occurs to me at odd times, like that little period between waking and sleeping, when you're pondering weird crap, and you have odd swimming shapes before your eyes. The time when if you glance at your bedroom doorway, you can see the shape of a goblin or an alien. And that fantasy is how I'd like my funeral to go. See, I'm an atheist, and have been a non-believer for a very long time. I don't want prayer or Bible verses, or "spirituality"--whatever that is--at my memorial service.

So, what do I want? Well, I'm really not sure. I think maybe that should be decided by my husband, with maybe some input from my family. None of them think I'm religious, and none of them really are either. But back to my fantasy. I have this image of me all laid out in repose--looking far better than I ever have of course, studious glasses perched on my nose, a nice suit, half a smirk on my face. And as the mourners (scores of them of course) file by to pay their last respects, a soft music starts to play. It would be pleasant, but not necessarily identifiable, but would eventually segue into a song called One by One, by Cher. Naturally, right? I mean, I'm gay after all. It's a nice, gentle song about loving one another. Perfect for a funeral, right?



They can even splice the song for length, if necessary, to let the line file by. But at some point, I want another segue. I want a little dramatic lighting. I want the soft song to fade into the dance remix! Maybe even a disco ball, and spotlights! Pulsing lights to the pulsing beat, and the line is played off with a driving, fun, boogieing  send-off! I can see the last batch of mourners dancing, twirling by, filing out of the service with smiles on their faces, and a spring in their step!



I can't think of a better send-off!

Sunday, October 14, 2012

Blast from the Past: Embarrassing Pop Hits

Every week for Blast from the Past, I'm faced with the same decision: topic. And sometimes, even if I find a good one, I'm still faced with the challenge of research, finding the clips, and building the post. The work I do for you people, you just. . .you have no idea! This week, I'm sufficiently tired of working (having put in an extra 10 hours this week), that it isn't inn me, I'm afraid. So, it's a rerun. A  blast from the past from the past! But it's a good  one. And I'm not completely off the hook, either. I have to replace three dead link videos,  and resize all of them to Google's new standard!  Oh well, enjoy. .  .


Every year or three, a song comes out that becomes a hit by sheer force of stupid. It's got some irresistibly catchy something to it, and it lights the world on fire. For a time, you simply can't escape it. And then, everyone comes to their senses, and the song is relegated to the dustbin of history. Usually. Sometimes, nostalgia colors our perception, and the song becomes a "classic." But these embarrassing hits are usually by one- or two-hit wonders, and if they do become something of a classic, it is almost exclusively by someone who remembers it from their youth. I'll cop to liking one or two. . .or three. . .of these songs, but I'm not going to tell you which ones!

And truth be told, I'm probably only scratching the surface here. There are undoubtedly many, many others. The first one I can remember stands out in  my memory only for its repetitive (sort of) beat boxing, and the repeated use of the word "butt." See, this was the early 70s, when "butt" was almost a dirty word, particularly for a little kid like me. It was and is The Bertha Butt Boogie, by the Jimmy Castor Bunch. The next alarmingly popular oddity (though I'm probably skipping many) is Afternoon Delight by the Starland Vocal Band. Yeah, it's a little ditty about having sex in the middle of the day, though it sounded much more innocent than that at the time.



And while the 70s was rife with embarrassment, the next two that really stand out for me are from the disco era, namely Disco Duck by the nerdtastic Rick Dees, and A Fifth of Beethoven by The Walter Murphy Band.


Though we could hang in the 70s for a lot longer on the subject, let's move to the 80s, which could teach the 70s a thing or two about shame. Leaving the visuals aside (when Patty Smythe of Scandal and possibly Pat Benatar might take the prize), there were numerous puzzling songs out there. Take Mickey by Toni Basil for instance. Sure the visuals are crazed. But how did this song every become a hit? And--in a rare case of a megastar getting caught in the shame web--how the hell did Physical become Olivia Newton-John's biggest hit? In fact, it was one of the biggest hits of the decade, which tells you a little something about the 80s.



Sometimes, a song is intended as a novelty song, but still fits into the category of embarrassing. If this was a seasonal post, I might go with Grandma Got Run Over by a Reindeer. But since it is July, I think Pac-Man Fever fits the bill. After that, much of the 80s becomes a blur of bad. It's just too much to sort through. You've got Milli Vanilli, Rockwell, Jermaine and LaToya Jackson. . .it's just too much. But in 1989, one gem stands out: Biz Markie's Just a Friend. So complete in its badness, that it is played for laughs today.



So let's leap into the 90s, and save the 80s for a later date. There are four major embarrassing hits that instantly leap to mind, each a testament to 90s WTF? In no particular date or badness order, they are:

I'm Too Sexy by Right Said Fred, Supermodel by RuPaul, The Macarena by Los del Rio and Mambo No. 5 by Lou Bega.




And with that, I sort of have to call it a day and wrap up. Have there been embarrassing hit songs since the 90s? Oh, I'm sure there have been. But I'm not sure we've gotten enough distance from them to realize their awfulness. I'd be happy to take suggestions for a sequel post though. Drop me a line with your picks, and I'll get to work. In the meantime, Happy Monday!

Monday, September 10, 2012

Blast from the Past: Guilty Pleasures, Part One

I realize that summer is ending, and I've got to get back to the business of blogging, such as it is. But I tell you, when you've got a lazy Sunday, and it is still light out until 7:00 pm, it's difficult to get up from the readin' couch by the window, particularly when the readin' cat is on your lap. But, let's get on with it, shall we?

This week's topic, "Guilty Pleasures" isn't the gentle kind. It's not ABBA or The Carpenters. . .you know, the groups you're shy about admitting you secretly dig. No, I mean specific songs that were often times enormous hits, but nobody will admit to ever having liked! These are the songs that could either fill or empty out a dance floor, depending upon the crowd. And you'd have no way of knowing!

This one is going to be text-light, videos-heavy. The source of the guilt and the pleasure (particularly the guilt) is self evident!







And that will do it for part one. There are so many--so many--others. Meanwhile, have a great week and a happy Monday! I'll be back late today refreshed, and get back to the politics.
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